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BODY
AUDACIOUS [2005] This is one of the Tinman's original completed works. He used A Fender Bass , Next! Turntables, and a Stanton mixer were also used along with a shure mic and an FL demo for the beat. AURORIC [2006] This beat used a sample of rapper/producer Big Mouth, the Tinman used pitch bending for the singing and added the rest using Garageband. AWW YEAH [2006] This is an unfinished song that uses beatboxing with echo and vocal layers. This song will be redone/finished in the future. BE SO KIND (LIVE) [2007] This is a live performance of the Tinman in Williamsburg, Brooklyn. Using a loop pedal and his voice to add all the components of a song composition, Tinman raps one of his older songs in a completely new version. BE SO KIND [2005] This is one of Tinman's longer raps, he used a sample of himself from about 10 years ago of he and his friend when they first started rapping. BELLS [2006] This song was made in the Uconn radio station's WHUS 91.7 studios. The Tinman did an hour long spot on the radio with some fellow muscians there. He only recorded one song in their studios. BLAND [2004] One of Tinman's first tracks, made using looped samples of a YAMAHA DJX Keyboard. BRIDGE [2007] This is a beat made with Garageband. It uses a long winding bassline and drumsets with effects on them. There is a subtle vocal beatboxing in the background.
BUST [2006] This is a song made with Garageband, it uses a techno sounding bass and amplified drums with loud vocals on top.
BUTTER (LIVE BEATBOX) [2007] A live beatbox version of a song done in Brooklyn. Tinman composed a vocal beat using a loop pedal and then rapped over it.
BUTTER [2007] A song with rapping and peicing beats using amp effects on Garageband. The entire track was made with garageband, with a heavy beat and guitar playing at the end.
CLOWNS [2004] One of Tinman's first tracks. Uses a fast bassline and fast beats with rapping and some vocal effects.
COFFEE [2006] This is a clip of a beat that uses piano with effects, synth noises, and drum loops. There is some singing in the background and an organ.
CONTINUE [2006] This beat uses hard drums with 808 bass, beatboxing, and whisling. Made wtih Garageband.
CRAIG LOYYD [2007] This beat was made with Garageband. It has a hard sound, a space age sounding bassline, and electronic drumming sounds.
DORMANT [2004] This is the one of the Tinman's first completed vocal tracks. It uses loops of a YAMAHA DJX Keyboard along with rapping and singing. This song inspired the Tinman to keep making music, and so did the people who listened to the song and enjoyed it.
FIVE [2007] This is a dance song with really hard bass line and keyboard playing. This was made with Garageband.
FLOOR [2007] This song was made with Garageband. It was inspired by a song on Wu-tang's "Wu-tang Forever". If you listen closely you will hear the same melody.
GET DOWN [2005] This song is another one of the first completed vocal compoitions made. It uses a simple old skool sounding drum beat and bassline with fresh synth sounds. This song was released on Tinman EP.
HELP ME FIND A WAY [2006] This song uses a deep bass with high pitched singing and keyboard loops. Made with Garageband.
IDEAS [2006] This song has a deep bass sound with drum loops and electric sounding basslines. Strings play in the background as it moves from stage to stage.
KIND [2006] This song uses beatboxing and singing loops, clapping, and funky basslines. The song was never released but may be re-released and remastered in the future.
LOVE MACHINE [2007] This was released on Tinman EP. It has tribal sounding drumming that echo over the basslines, whistling, and singing. This was made with Garageband.
MARCH [2007] This song was originally a beatbox loop made with a loop pedal, then translated into notes on Garageband by the Tinman. It was released on Tinman EP.
ONCE [2005] This is a song written around the time of Be So Kind. It was never really released but was one of the first completed vocal tracks.
PRECISELY [2006] This song uses 808 bass and a 50 cent sample, with ringing synthesizers over it, along with singing over the samples.
PUDDIN' [2006] This song has a smooth bassline with soft drumming and strings. It has keyboards and sytnth effects made with Garageband. There is a sample recorded in a Brooklyn coffee shop (VERB) with an Apple lap-top. Eventually a dance bass comes in and everything is then alright. Everthing is going to be alright.
SHANGHAI [2006] This song was made with Garageband, it has a deep clav bass line and strings, saxaphones and synthesizers.
SHOPLIFT [2006] This is the first track ever made by Tinman with Garageband. It was made while walking around the city with an apple lap top. All the samples are recordings of people on the streets of New York, including union square.
SHOULDA [2005] This is an earlier composition, it uses strings, basslines, and synth sounds.
SONIC [2006] This song was made with Garageband, it uses live samples from Brooklyn and hard drums with a synth and deep bass.
THE NEWW STYLEE [2007] This is a dance song made with Garageband. Described by Contra as some futuristic swizz beats/ruff ryders shit.
TO THE LIMIT (LIVE) [2007] Beatbox version of the song To the Limit done live with a loop pedal in Brooklyn. Tinman looped beatboxing and humming, then rapped over it.
TO THE LIMIT [2007] Made with Garageband. Uses a beat with digital effects, and a warehouse sounding bassline along with harpischords. It has vocals throughout most of the song.
WHERE YOU STARTED [2005] A longer track originally, made early on with fast rapping and a hard beat along with singing.
Current Works Albums Body of Work
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